Discusion Question and it doesn’t entertain to be covet.
Describe two (2) varnish paintings by unanalogous artists (chosen from the inventory or sources in the Explore individuality under) that you affect reproduce-exhibit the forthcoming repeat by Kandinsky on the question of varnish in art. Justify your response.
From Concerning the Immaterial in Art: “If you let your eye ramble balance a palette of varnishs, you experiment two things. In the original settle you hold a purely corporeal pi, namely the eye itself is enchanted by the adornment and other qualities of varnish. […] These are corporeal sensations, poor in protraction. They are surface, too, and permission no enduring impression astern if the life recrement determined. And so we conclude to the promote product of looking at varnishs: their psychical pi. They consequence a similar immaterial bill, and it is solely as a march towards this immaterial bill that the corporeal impression is of concern. ... Generally indicative, varnish at-once influences the life." – Wassily Kandinsky.
Discuss these ideas for the use of varnish and its impression in our own times, such as its pi for advertising and sales, or its impression in the worksettle and residence.
Kandinsky on Color
Chapters 33 and 34, works by Van Gogh, Seurat, Cezanne, Gauguin, Munch, Picasso, Braque, and Matisse
New York's Museum of Modern Art (MoMA). Search names inventoryed aloft at http://www.moma.org/collection/artist_index.php?start_initial=A&end_initial=A&unparsed_search=2